Pro tools HD

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Pro tools HD

PRO TOOLS|HDX

Mix Bigger, Better Projects—Faster
As a dedicated professional, you’re looking for faster, higher quality, and easier ways to record, edit, and mix the most demanding productions. Meet the more powerful, new generation of Pro Tools|HD—Pro Tools|HDX. Get more tracks, more headroom, and up to 5x more dedicated DSP power to tackle even the most massive music and post-production projects with the confidence that comes with guaranteed performance.

Key features:

Unleash your creativity with up to 5x more power per card than Pro Tools|HD Accel

Mix bigger, better mixes faster with 256 tracks (up to 768) and double the I/O per card, plus 4x more ADC

Get higher resolution sound and more headroom with the floating-point architecture

Compose, record, edit, and mix with the award-winning Pro Tools HD software toolset

Capture and reproduce audio with pristine clarity using Pro Tools HD Series interfaces

Increase your power and track counts by simply adding additional cards

Supports the AAX plug-in format for better workflow and sound parity with native systems

Interfaces

HD OMNI

Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface.

96 I/O
An affordable 16 channel audio interface for Pro Tools|HD, 96 I/O outperforms our 888|24 I/O on nearly ever level -- and it's available for about half the price. 96 I/O features a wealth of I/O options, including 8 channels of high-definition analog I/O, 8 channels of ADAT optical I/O, 2 channels of AES/EBU and S/PDIF I/O, and Word Clock I/O.
hd_io.pdf

96i I/O
96i enables you to readily introduce output from third-party outboard gear — keyboards, samplers, effects, and other line-level equipment — into your Pro Tools environment. Its 16 analog inputs provide balanced or unbalanced A/D conversion using tip-ring-sleeve (TRS) 1/4" connectors. A S/PDIF port capable of 24-bit digital I/O allows you to connect professional DAT recorders, CD players, and other digital recording devices. A/D and D/A converters of the same quality as those of the Digidesign 96 I/O ensure that your signal’s fidelity is maintained going into and coming out of Pro Tools.
hd_io.pdf

192 I/O
192 I/O is, simply put, the best sounding audio interface ever offered by Digidesign®, rivaling interfaces costing more than twice its price. In addition to support for up to 16 channels of analog and digital input and output, 192 I/O features a wide range of analog and digital I/O options to choose from, including 8 channels of high-definition, pristine quality analog I/O, 8 channels of AES/EBU, eight channels of TDIF, 16 channels of ADAT and 2 additional channels of AES/EBU or S/PDIF digital I/O.

Options:
192 AD Expansion Card
192 DA Expansion Card
192 Digital Card
hd_io.pdf

192 Digital I/O
Embodying the ideal all-digital interface to Pro Tools®|HD is the 192 Digital I/O™ — a high-definition, 24-bit/192 kHz-capable, multi-channel audio interface specifically designed to facilitate digital input from a variety of sources into the Pro Tools|HD environment.
hd_io.pdf

HD MADI

Expand your Pro Tools|HD workflow to integrate with MADI-equipped devices—including routers and digital mixing consoles—with the all-digital HD MADI interface. The perfect solution for integrating Pro Tools|HD into post-production and broadcast environments, HD MADI gives you great connection flexibility, fuss-free use through built-in sample rate conversion, and the ability to send and receive up to 64 channels of audio between your Pro Tools setup and MADI devices up to 2 km (1.24 miles) away—all with a single rack unit interface.

PRE
Featuring eight discrete, matched transistor hybrid mic-preamp circuits, PRE offers a pristine signal path designed specifically for the Pro Tools|HD environment. PRE accepts nearly any input signal, easily accommodating mic, line and direct instrument (DI) level inputs on all eight channels.

Sync HD
Keep even your largest Pro Tools|HD and audio-video productions in total sync. SYNC HD attains near sample-accurate lock to serial timecode (through RS-422), LTC, or bi-phase/tach signals, incorporating a high-fidelity, low-jitter master Word Clock that supports operations up to 192 kHz, as well as standard pull-up/pull-down rates for film and video applications.
SYNC HD also features AES/EBU clock I/O, SD and HD video reference in/thru, video program in/out with timecode window inserter, and a host of other features, making it a must have for Pro Tools|HD professionals in commercial music and post-production facilities.

MIDI I/O
MIDI I/O™ is the custom-tailored, USB-powered MIDI solution for Pro Tools systems. Featuring ten MIDI input/output ports, MIDI I/O also supports Digidesign Time-Stamping* for unprecedented timing accuracy. MIDI I/O will ship in September.

Expansion Chassis

The Digidesign® Expansion|HD chassis is an all-new 4U rack with six available PCI slots that offers an easy and efficient way to expand the power of your Pro Tools|HD® system. The Digidesign Expansion|HD chassis connects to the host computer via a Host PCI or Host PCI Express (PCIe) card, each sold separately. The chassis includes a thin and flexible five-meter cable, but it can accommodate up to a ten-meter cable, allowing you to place the chassis away from the CPU or main mixing area.

HD OMNI Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools\|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface.
96 I/O An affordable 16 channel audio interface for Pro Tools\|HD, 96 I/O outperforms our 888\|24 I/O on nearly ever level -- and it's available for about half the price. 96 I/O features a wealth of I/O options, including 8 channels of high-definition analog I/O, 8 channels of ADAT optical I/O, 2 channels of AES/EBU and S/PDIF I/O, and Word Clock I/O. hd_io.pdf
96i I/O 96i enables you to readily introduce output from third-party outboard gear — keyboards, samplers, effects, and other line-level equipment — into your Pro Tools environment. Its 16 analog inputs provide balanced or unbalanced A/D conversion using tip-ring-sleeve (TRS) 1/4" connectors. A S/PDIF port capable of 24-bit digital I/O allows you to connect professional DAT recorders, CD players, and other digital recording devices. A/D and D/A converters of the same quality as those of the Digidesign 96 I/O ensure that your signal’s fidelity is maintained going into and coming out of Pro Tools. hd_io.pdf
192 I/O 192 I/O is, simply put, the best sounding audio interface ever offered by Digidesign®, rivaling interfaces costing more than twice its price. In addition to support for up to 16 channels of analog and digital input and output, 192 I/O features a wide range of analog and digital I/O options to choose from, including 8 channels of high-definition, pristine quality analog I/O, 8 channels of AES/EBU, eight channels of TDIF, 16 channels of ADAT and 2 additional channels of AES/EBU or S/PDIF digital I/O. Options: 192 AD Expansion Card 192 DA Expansion Card 192 Digital Card hd_io.pdf
192 Digital I/O Embodying the ideal all-digital interface to Pro Tools®\|HD is the 192 Digital I/O™ — a high-definition, 24-bit/192 kHz-capable, multi-channel audio interface specifically designed to facilitate digital input from a variety of sources into the Pro Tools\|HD environment. hd_io.pdf
HD MADI Expand your Pro Tools\|HD workflow to integrate with MADI-equipped devices—including routers and digital mixing consoles—with the all-digital HD MADI interface. The perfect solution for integrating Pro Tools\|HD into post-production and broadcast environments, HD MADI gives you great connection flexibility, fuss-free use through built-in sample rate conversion, and the ability to send and receive up to 64 channels of audio between your Pro Tools setup and MADI devices up to 2 km (1.24 miles) away—all with a single rack unit interface.
PRE Featuring eight discrete, matched transistor hybrid mic-preamp circuits, PRE offers a pristine signal path designed specifically for the Pro Tools\|HD environment. PRE accepts nearly any input signal, easily accommodating mic, line and direct instrument (DI) level inputs on all eight channels.
Sync HD Keep even your largest Pro Tools\|HD and audio-video productions in total sync. SYNC HD attains near sample-accurate lock to serial timecode (through RS-422), LTC, or bi-phase/tach signals, incorporating a high-fidelity, low-jitter master Word Clock that supports operations up to 192 kHz, as well as standard pull-up/pull-down rates for film and video applications. SYNC HD also features AES/EBU clock I/O, SD and HD video reference in/thru, video program in/out with timecode window inserter, and a host of other features, making it a must have for Pro Tools\|HD professionals in commercial music and post-production facilities.
MIDI I/O MIDI I/O™ is the custom-tailored, USB-powered MIDI solution for Pro Tools systems. Featuring ten MIDI input/output ports, MIDI I/O also supports Digidesign Time-Stamping* for unprecedented timing accuracy. MIDI I/O will ship in September.
Expansion Chassis The Digidesign® Expansion\|HD chassis is an all-new 4U rack with six available PCI slots that offers an easy and efficient way to expand the power of your Pro Tools\|HD® system. The Digidesign Expansion\|HD chassis connects to the host computer via a Host PCI or Host PCI Express (PCIe) card, each sold separately. The chassis includes a thin and flexible five-meter cable, but it can accommodate up to a ten-meter cable, allowing you to place the chassis away from the CPU or main mixing area.